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Revolutionary Road

Revolutionary Road This Orange Inheritance edition of Revolutionary Road is published in association with the Orange Prize for Fiction Books shape our lives and transform the way we see ourselves and each other The best

  • Title: Revolutionary Road
  • Author: Richard Yates Lionel Shriver
  • ISBN: 9780099560647
  • Page: 490
  • Format: Paperback
  • This Orange Inheritance edition of Revolutionary Road is published in association with the Orange Prize for Fiction Books shape our lives and transform the way we see ourselves and each other The best books are timeless and continue to be relevant generation after generation Vintage Classics asked the winners of The Orange Prize for Fiction which books they would pass oThis Orange Inheritance edition of Revolutionary Road is published in association with the Orange Prize for Fiction Books shape our lives and transform the way we see ourselves and each other The best books are timeless and continue to be relevant generation after generation Vintage Classics asked the winners of The Orange Prize for Fiction which books they would pass onto the next generation and why Lionel Shriver chose Revolutionary Road.This is the story of Frank and April Wheeler, a bright, beautiful, and talented couple whose empty suburban life is held together by the dream that greatness is only just round the corner With heartbreaking compassion and clarity, Richard Yates shows how Frank and April mortgage their hopes and ideals, betraying in the end not only each other, but their own best selves I can t think of a better novel to hand on to readers growing up today than Revolutionary Road Lionel Shriver

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      490 Richard Yates Lionel Shriver
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      Posted by:Richard Yates Lionel Shriver
      Published :2019-03-05T19:31:41+00:00

    1 thought on “Revolutionary Road

    1. I let out a whoop of laughter on about page 180, when I finally figured Frank Wheeler out. You see, Frank spent most of his youth a scattered, bashful schmuck. Then after WWII, as a Columbia student and Village-dweller, he started getting laid all the time, thanks to a theatrically brooding pseudo-intellectual schtick. Nevermind that Frank is essentially a glib blowhard, talented in no artistic way (he's one of those tiresome people who whine about Conformity as if America invented it, threaten [...]

    2. For the longest time I just wanted a family, kids, a decent job, and a happy life in suburbia. That was all I wanted. That's it. It seemed so simple, predictable, and reliable. It was my ideal image. It seems that society has done a good job of putting that thought in everyone's head. The best thing for a young man is for him to go to college, get married, get a reliable job with a steady company, have babies (2 or 3, of course), make friends with neighbors, have birthday parties for the kids, d [...]

    3. Revolutionary Road - Set in 1955, portrait of American suffocating, grinding conformity. Author Richard Yates on his novel: "I think I meant it more as an indictment of American life in the 1950s. Because during the Fifties there was a general lust for conformity all over this country, by no means only in the suburbs—a kind of blind, desperate clinging to safety and security at any price." Republished as part of the 1980s Vintage Contemporaries series, Revolutionary Road is, for my money, the [...]

    4. Imagine my surprise when I came across Stephen King's "Best Books of 2009" List (one not condescending enough to include solely those published this year), & saw that 2nd place belonged to Revolutionary Road. Glad I am not alone in feeling a deep sad empathy for this book. The story is EXTREMELY well told. The story, about young "revolutionaries" who end up doing exactly the opposite of what they've set out to do, is quite simple but rich. It has different POVs, which deviates from the outst [...]

    5. Really Tough LoveYates has a reputation as a chronicler of the smug years of post-WWII America. Perhaps. But as an artist, he is much more than a period sociologist. Yates’s understanding of the folie a deux which we call marriage is profound. The reasons two people find each other attractive are buried in experiences of which neither is conscious much less rationally able to think about. To call such attraction love is euphemistic. It may be, at best, an attempt to redeem or complete oneself [...]

    6. What a wise book. Many rate it as depressing, and yes, it tells a very tragic story. But at the same time, it's also a tremendously funny book. It's just that its humor stings because it's based in the most human of weaknesses: Self-rationalization.Frank and April Wheeler are the prototypical post-WWII suburban couple -- happy on the outside, endlessly frustrated on the inside. But author Richard Yates isn't interested in just dissecting the suburbs. Frank and April are painfully aware of their [...]

    7. [image error]On my fling-o-meter scale, Revolutionary Road is a well-traveled book, having been flung (why does this past participle sound so ungainly?) across the room several times. The initial trip occurred when Richard Yates gratuitously threw in this bit of over-writing in the first chapter: At first their rehearsals had been held on Saturdays—always it seemed, on the kind of windless February or March afternoon when the sky is white , the trees are black, and the brown fields and hummock [...]

    8. I read this in anticipation of seeing the film. It is a grim tale. The primary characters are April and Frank. They both hold a rather lofty opinion of themselves, but fail to actually do anything with their gifts, real or imagined. They find themselves stuck in a classic suburban nightmare of disenchantment with their circumstances and resentment of each other. The affection they do feel for each other comes and goes, mostly goes, as they wallow in their narcissism. She imagines a wondrous life [...]

    9. watching this movie last night made me want to read the book immediately after. and it's not a terrible movie, it's just a little hammy, and the tone is uneven - whether these people are meant to be seen as victims of the stultifying, euthanizing effects of suburbia, or if they are at root unlikable people who deserve to be taken down a peg for their arrogance and their conviction that their involvement in this thing we call "suburbia" is just playacting, not to be taken seriously. the book does [...]

    10. Yates is adept at picking apart the well-intentioned duplicity within couples, which both causes and prevents further hurt, misunderstanding and deception, and the chasm between thoughts/dreams and actions. The competitive dynamics of suburbia are similarly exposed. Keeping up appearances is important, which is why, at the start of the novel, April is so upset at the debacle of the am dram.PlotThis is the painfully insightful story of a youngish couple, with two small children, living in New Eng [...]

    11. “That’s how we both got committed to this enormous delusion—because that’s what it is, an enormous, obscene delusion—this idea that people have to resign from real life and ‘settle down’ when they have families. It's the great sentimental lie of the suburbs”This incisive, crushing portrait of a crumbling marriage stirred up a lot of emotions in me - heartbreak for the characters' plights, awe at the brilliance of the writing. But most of all it made me feel happy (and relieved!) [...]

    12. Revolutionary Road is a masterpiece of a genre that’s largely considered played out—the novel of suburban malaise. It’s a social novel about The Way We Live Now, only in this case Now is over 40 years ago and Yates’ take on the plight of the poor souls marooned in corporate/suburban America has long since been digested and superseded. It still persists to some degree—in films like American Beauty, novels such as Tom Perotta’s Little Children, and the brilliant TV show Weeds. But, Ame [...]

    13. This is definitely an "it's not you, it's me" book. The writing was lovely. I thought he captured the setting, tone, etc. extremely well. And I can imagine for its time, this book was pretty groundbreaking, and I can see why it's had a resurgence of popularity in the last decade or so. But honestly the storyline and theme of disillusionment in America, for me, is overdone. I've read a lot of books and plays (and this one definitely felt like something akin to an Albee or Miller play) that touch [...]

    14. I've been putting off reviewing this book. I didn't enjoy reading it, and it wasn't because the characters were unlikeable, which they were. There are authors who can write great books about people the reader hates. This wasn't one of them.I get the whole 1950s values/suburbia/trap that Frank and April found themselves in. I just didn't care. He was a whiny, immature, alcoholic. She was a bored suburban housewife whose only sense of identity was tied into how successful Frank may/may not be in l [...]

    15. Quando sei gentile“È come se tutti si fossero tacitamente accordati per vivere in uno stato di perenne illusione. Al diavolo la realtà! Dateci un bel po’ di stradine serpeggianti e di casette dipinte di bianco, rosa e celeste; fateci essere tutti buoni consumatori, fateci avere un bel senso di Appartenenza e allevare i figli in un bagno di sentimentalismo ― papà è un grand’uomo perché guadagna quanto basta per campare, mamma è una gran donna perché è rimasta accanto a papà per t [...]

    16. As any lover of the arts knows, an artist's reputation depends not only on what society thinks of their work, but also what they think of it over the passage of time, with many creative professionals' careers dipping up and down over the decades based on changing trends and tastes. Take American author Richard Yates for an excellent example; celebrated by the academic community when he first started writing in the early 1960s, he was considered in the vanguard of the nascent "postmodern" movemen [...]

    17. Oh sweet barbequed jaysus--why does anyone ever get married? And why do I keep listening to my boyfriend when he recommends books to me?Because he has good taste. Good, horribly morose and depressing taste.This is an excellent book. Richard Yates has a preternatural ability to divine and pick apart the artifice we assume in everyday life with our loved ones and coworkers. The young couple of the book, Frank and April Wheeler, are bougie suburbanites who aspire to be artistic interesting people, [...]

    18. "If you wanted to do something absolutely honest, something true, it always turned out to be a thing that had to be done alone."When I think of Revolutionary Road, I can't help but think of a friendemy I was acquainted with some years ago. Our conversations usually started out charmingly enough (she was quite the bookworm), but usually ended on a low note when she'd start criticizing everything about me in a jovial, joking sort of manner. I never knew if it was me or her that was nuts! Anyway, o [...]

    19. Frank Wheeler, once a rebellious seeker of alternative choices, a young social vagabond, the nicotine-stained, Jean-Paul Sartre kind of guy, testing his boundaries and prospects, and being regarded as 'a veteran' (of WWII) and 'intellectual', finds himself getting married to April Johnson, once an aspiring actress, a graduate from drama school. Whatever happened in her life, she was always ready to take flight whenever she felt like it. For April he was 'The Golden Boy', the 'terrifically sexy g [...]

    20. 3 Stars“No one forgets the truth; they just get better at lying.”Alternate titles for this book include:Not-So-Subtlety Talking About Masculinity Gender Roles SuckEveryone is Really Unhappy Gatsby Thought He Had it BadVonnegat once compared this to Gatsby, and I think that's incredibly accurate. If Gatbsy is about the American Dream in the 1920s, this is a fantastic disillusion of 'achieving' that dream in the 1950s. Frank is a narcissist obsessed with preserving his own masculinity-- the se [...]

    21. Revolutionary Road, Richard Yatesتاریخ نخستین خوانش: سی و یکم ماه می سال 2014 میلادیعنوان: جاده رولوشنری - فیلمنامه؛ فرزاد حسنی؛ تهران، افراز، 1391، در 248 ص؛ شابک: 9789642438969؛ موضوع: فیلمنامه های امریکایی - قرن 20 معنوان: جاده انقلابی؛ کارگردان: سام مندس؛ تهیه‌ کننده: بابی کوهن؛ سام مندس؛ اسکات رودین؛ [...]

    22. Avete mai letto Stoner, di John Edward Williams? Bè, punto primo, se non l’avete già fatto, fatelo, perché merita, a mio modesto avviso. Punto secondo, Revolutionary Road è lo straordinario e puntuale contraltare di Stoner. Frank Wheeler, infatti, è tutto ciò che, fortunatamente, William Stonernon è . Intendo dire che la collazione tra i due romanzi propone e suggerisce, in modo estremamente efficace, l’esatta, precisa e fondamentale differenza che intercorre tra “essere” e “app [...]

    23. well, i read the book ages ago and it left such an impression that when i signed up for bookface i stamped the sucker with a fiver. the gothsissy promises if i re-read it i'll knock off a few stars. whatever. i saw the movie last night and a word popped into my head: smimsicholy: a specific combination of smug-whimsy-melancholy seen in the work of certain 'important' artists and/or entertainers. yeah. if sam mendes is the cinematic anti-christ than this movie's his mastercheese. it's a laughable [...]

    24. Revolutionary Road - "um lugar onde viviam pessoas - um lugar onde o difícil e intrincado processo de viver pode, às vezes, dar origem a incríveis harmonias de felicidade e, às vezes, ser a fonte de uma desordem quase trágica "Revolutionary Road é a antítese d'O Grande Gatsby. Se o segundo é a ascenção do sonho americano em toda a sua grandiosidade, o primeiro é o ruir de todos as aspirações e a consequente frustração por não corresponder aos exigentes padrões sociais, ou por n [...]

    25. Revolutionary Road is a masterpiece of realistic fiction and one of the most biting, scathing critiques I've ever read of 50s era American optimism and conformity.Bored with their dull, safe, suburban existence, Frank and April Wheeler – who've always felt they were destined for something great – attempt to carpe their diem, and make plans to move to Europe, where Frank can "find" himself. Still as sharp and relevant as it must have been when it was published over 50 years ago (!), Yates's b [...]

    26. L’intenzione (dichiarata) di Yates, era quella di scrivere un romanzo che avesse come madre Madame Bovary e come padre il Grande Gatsby. Il figlio Revolutionary prese decisamente il meglio da entrambi.Già in “Ester Parade” mi aveva colpito il grado di emancipazione dei personaggi. Ripenso ai racconti di mio nonno, coetaneo di Yates che mi parlava di fame e miseria e non di velleità intellettuali e anticonformismo.Yates in questo libro ha creato un impianto dove la pressione è costante Q [...]

    27. This was by no means a feel-good book, but it was a well-written, well-told story. Think Madame Bovary meets American Beauty meets the Laura Brown character from The Hours – all portraying various mixtures of suburban spleen (or ennui) and personal and marital deroutes. Written in 1961, the novel describes how two people within a marriage deal with (or rather don’t deal with) various issues in 1955, some of which are society-induced, like the post-world war economic boom in the United States [...]

    28. One of my favourite novels, and easily one the greatest ever written, Richard Yates goes right for the necessary to work out who one really is. Summer, 1955, Frank and April Wheeler are living what to many would believe is the suburban American dream, wholesome friendly neighbours, and for Frank an undemanding job in Manhattan, all appears grand. But it isn't. The Wheelers might be young, beautiful and feel full of promise to the outside world, but they harbour little affection for each other.Bo [...]

    29. From the first chapter this story gripped me and hardly let me put it down! Though there's nothing really happy or pretty about this story, the way Yates tells it is masterful. It's all about the hypocrisy of the American dream and how poisonous it and masculinity can be. There aren't any likeable characters here, really, and there isn't supposed to be. Yates examines the post WWII, suburban haven we now think back on with nostalgia, but which during the day rarely came close to its superficial [...]

    30. There’s an impression that American manhood took a nosedive in the ‘60s after a generation of manly men beat back the Nazis and then turned their no-nonsense pragmatism and can-do spirit to business and started a huge economic boom. Since those damn dirty hippies ruined the country, and liberal crybabies made being a hetro white male a crime, it’s just been generation after generation of worthless girly-men ever since.However, after watching Mad Men and reading Rabbit, Run and Revolutionar [...]

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